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Donald 'Sully' Sullivan is an expert at avoiding adult responsibilities. At 60, he divides all his time between a local bar and the occasional construction job. One day, Sully nearly runs into his son Peter and discovers that he has a grandson he never knew about; for the first time, Sully finds himself thinking that he ought to start behaving like a grown-up.
Over time, the rhythms of small-town life and the eccentricities of its residents can grow on you. That's exactly what happens as you watch this sharply observant movie.
The principal pleasure of this film directed by Robert Benton is that its characters are carefully drawn and developed rather than applied like so many decals on a two- dimensional wintry landscape.
Nobody's Fool is an unprecedented treat, populated with charming, believable characters and a parting shot so beautiful even the hardest of hearts will melt helplessly at its sight.
An old hand at this kind of heart-warming fare, Benton doesn't swamp it with sentimentality, allowing the crumpled charisma of Newman to effortlessly carry the drama.
While watching Robert Benton's sublime adaptation of Richard Russo's novel, it's hard to avoid the realization that movies like this have become an endangered species.
The movie is both a star vehicle and an ensemble piece; the other actors revolve around Newman yet give off more than just his reflected light.
October 29, 2013
Los Angeles Times
Moviegoing holds few pleasures greater than watching an established star completely inhabit a role that exactly suits his personality and abilities. And seeing Paul Newman in Nobody's Fool defines that pleasure.