Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Parallel tales of two sexually obsessed men, one hurting and annoying women physically and mentally, one wandering around the city talking to strangers and experiencing dimensions of life.
Mike Leigh's Naked is a great one -- a film of brutal impact, withering wit and humanity. It deserves one of the highest accolades movies can receive: Seeing it shakes you up, changes your vision.
If America's nightmare self-image is Bad Lieutenant, this is the British answer: just as driven, visionary and self-destructive but not needing an excess of drugs or blood to showcase human horrors.
That wonderful British writer-director Mike Leigh continues down his brave, lonely road, making movies about believable people living and suffering under painfully believable circumstances.
It would be hard to imagine a film much sourer than Naked, but sourness is not a fault, merely a characteristic. Hollowness, now, self-indulgence, a sort of gloating emotional ugliness -- those are faults.
Sorting out the intelligence from the hysteria is no easy matter, and the picture rubs our noses in this uncertainty so remorselessly that we sometimes forget that what we're watching is largely a comedy.
Thanks to David Thewlis' performance, which has been collecting prizes since last spring's Cannes Film Festival, Johnny's energy and ferocious wit outweigh his brutishness.