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The movie focuses 4 street-wise males, who try to achieve what they want at any cost. They trust no one but each other which is vital to their success as mobsters. But their crime empire comes with serious problems.
Mobsters is a bloody little fairy tale that makes good guys out of Lucky Luciano, Frank Costello, Bugsy Siegel and Meyer Lansky. According to the film, a largely plodding affair, they were just four kids who liked to kill people once in a while.
Mobsters looks like it was made by people who have seen too many gangster films for people who haven't seen any. There isn't a breath of life in the filmmaking.
To say that production designer Richard Sylbert, costume designer Ellen Mirojnick and cinematographer Lajos Koltai give the settings a handsome, authentic look is like saying that the Titanic had nice chandeliers.
It is extraordinary that, with gangster-era America providing such a natural source of drama, director Michael Karbelnikoff should turn gritty reality into such an empty tale.
In an attempt to find the origins of infamous gangsters Charlie "Lucky" Luciano, Meyer Lansky, Frank Costello and Benny "Bugsy" Siegel, Karbelnikoff has rendered lame caricatures instead of meaty characters.
It's an excuse for the latest crop of media-spawned personalities -- the male equivalent of starlets -- to invade the heavy-duty genre of the gangster film. They don't come up to Cagney's spats.
May 20, 2014
Philadelphia Inquirer
Slater and Dempsey bring to the film whatever shallow depth Mobsters occasionally exhibits.
A potboiler in the quick-and-dirty tradition of the B movies of the '30s, it may not win any Oscars or garner rave reviews, but it's consistently entertaining, nevertheless.