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Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
The two leads have absolutely no chemistry. Claflin (The Hunger Games) has Hugh Grant's chiselled jaw but none of his comic flair, while Collins comes across as yet another doe-eyed English rose.
Love, Rosie's early charm fades by the end, given that, as time (and the movie) wears on, neither Rosie nor Alex get any more mature when it comes to matters of the heart.
If you can treat the experience as an extended bubble-bath and remember the whole affair is to depth and substance what Boyzone were to Bob Dylan, you won't go far wrong.
Watching lifelong friends, clearly destined for each other, miss the romantic boat over and over is entertaining at first, but soon their tortuous and silly road to the inevitable provokes only impatience.
Love, Rosie succeeds well enough on its own, largely due to the fabulous chemistry between the leads, who bring their flawed, well-rounded characters to life in a funny, warm and amiable manner.
A visually pleasing film, given to framing the characters in dappled sunlight that peeks through windblown leaves. It's a pity the rest of the project is so poorly executed.
"Love, Rosie" is one of those annoying movies in which everything would be just fine if the two central characters had a simple conversation that cleared up all their misunderstandings.
Do you really want to expose your adolescent daughter to 100 minutes of the beautiful Lily Collins accepting second-best, over and over and over and over and over and over and over again?