Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to the death of her father, the young woman turns into another person suffering from psychological disorder. She is still feel a strange world and a total darkness permeates her life but she tries to understand the world from the outside without care or thinking in the painful past.
At times animalistic, at times tender and ethereal, [Marine Johnson is] whatever the role requires - a character trying to understand herself and the world around her with severely limited knowledge and resources.
Thanks to [Simon] Lavoie's confident direction, Matches builds hope for the continued strength and creativity of Québécois horror cinema, refreshed by the raw input of genre outsiders.
Art house fare that's challenging but also rewarding, with the oblique early going giving way to an increasingly clear picture as the two orphaned youngsters try and come to terms with the world and their dark past.
Ironically, the film's construction is as circular as the insular logic it so heinously condemns: a work imposed on its audience solely because its creator wills it to be so, and his Word, as scripture, is total, complete, and final.