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The 12-year-old Henry alone was targeted at an isolated farm. Where the 12-year-old Henry found himself at the center directed by the terror and unrest that might kill him away from the people and Henry must face his fate so as not to be exposed to death.
Disappointing, too, that Knuckleball introduces a lady cop so charmingly and progressively... only to reduce her to collateral damage in her very next scene.
This is a slow-burner that will draw you in, with an eerie sense of atmosphere and style coupled with some excellent cinematography by Jon Thomas. One to be applauded for trying something different with conventional horror themes.
While you're watching, helmer Michael Peterson effectively earns suspension of disbelief with stark atmospherics, solid performances and a persuasive escalation of panic.
Peterson crafts a chilling homage to The Shining; handles the why-doesn't-he-use-his-cellphone question nicely; and delivers a decent followup to his last feature, 2012's Lloyd the Conqueror.
The film relies heavily on the interplay between Henry and Dixon, which resembles a violent dance. Both actors invest deeply in their roles, which helps to sell the tension (particularly as the bodies begin to pile up)