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Ferrara's dangerous vision of the city at night goes beyond what most creampuff directors are capable of; he gets to the core of everything from the silent, dark windows of towering penthouses to the vicious rattling of crime-ridden subways.
Ferrara began to be taken more seriously by critics with this operatic crime film, which was shown at the NY Film Festival, where it elicited walkouts (including helmer's wife) along with praise.
Complementing Walken's bravura turn are equally flamboyant performances by David Caruso as the young Irish cop out to destroy Walken, and Larry Fishburne as Walken's slightly crazy aide-de-camp.
[Ferrara] works unapologetically in B-movie territory, but does it with A-movie style.
May 20, 2003
Chicago Sun-Times
Walken is one of the few undeniably charismatic male villains of recent years; he can generate a snakelike charm that makes his worst characters the most memorable, and here he operates on pure style.