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Following the movement of Tamil Nadu's kin, they have gone to live in the poor neighborhoods in Dharavi. Haridev Abhayankar is a terrible man who fills in as a minister, he needs to take their territories for his interests under the name of government. However, there is a hero called Karikaalan who does whatever he can trying to stop him specially after he murdered his darling wife, Selvi.
Pa Ranjith does something that no director has done before and he is smart about. He treats Kaala throughout the film like a double edged sword and manages to keep a fine balance.
The 1.5 stars for this movie is only for Nana Patekar's effort. For the rest of the movie, we recommend loads of popcorn to keep you distracted, or a black eye mask so that you can nod off.
Not big enough to be bigger than life, but not real enough to be taken seriously outside of his filmy persona, Kaala is a middling film that doesn't seem to know which side of the fence it wants to be on.
While this revolutionary epic that's largely predictable would have benefited hugely from tighter editing, the hyper-stylised climax may appease the Rajinikanth fan in you.