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When New York’s hottest night club disc jockey, Darrell, is asked to DJ a party for mob boss Frank, Darrell becomes acquainted with Frank's beautiful daughter Dolly. After Darrell manages to rescue Frank, in order to repay him, the mobster gives him the task of protecting his daughter.
... pic is never too insulting to the viewer, and works up a fair amount of goodwill by the good graces of Usher's Will Smithian charisma and an extremely attractive filmmaking package ...
It's clearly conceived solely as a star vehicle for the ubiquitous Usher and his washboard abs, with plot coherence and originality coming in somewhere lower in the pecking order.
February 21, 2006
Urban Cinefile
With its laughable dramatic sequences and goofy supporting characters, this film is hard to dismiss as entertainment: a camp treat for comics as well as Usher fans.
People richer than you get paid to come up with this stuff.
December 05, 2005
New York Times
[A] one-dimensional romantic comedy that ... feels like an old-fashioned vehicle picture, the kind the big movie studios used to make in the 1930's and 40's just to bring in the fans of a particular actor or actress.
November 28, 2005
Toronto Star
The failure is with a script as ungainly as it is and an oversimplified conception of American-Italian and black cultures.