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The movie follows a drifter with no name (Clint Eastwood) as he wanders into a small town, where his gun-slinging abilities are in high demand. There, he is hired to bring the townsfolk together in an attempt to hold off three outlaws who are on their way.
Eastwood registers strongly as actor and director of this revenge Western (yet another critique of High Noon), with a style that's influenced by his mentors, the economic efficiency of Don Siegel with touches of Sergio Leone's Spaghetti Westerns
Eastwood holds fast to the rebel spirit of the spaghetti Westerns and revisionist "New Hollywood" Westerns of the previous decade, but packages it in a film that's slicker and more mainstream-friendly.
Mysterious, sporadically comical, and classically Eastwood, High Plains Drifter is a wholly satisfying revenge saga that's askew enough to surprise as it exercises known elements.
This was supposed to be Eastwood's fond adieu to the worlds of Sergio Leone and Don Siegel; and indeed he cuts the operatic excess of the former with the punchy economy of the latter.
Part ghost story, part revenge Western, more than a little silly, and often quite entertaining in a way that may make you wonder if you have lost your good sense.