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Denzel Washington does some of his best work as a prison inmate trying to earn himself an early release by talking his estranged son into playing basketball at the governor of New York's alma mater.
Lee paints intimate characters who are about more than the game. Themes of integrity, honesty, loyalty and familial love are woven through the film resulting in a complex, thought-provoking human drama.
At the end of Mr. Lee's movie, all you feel is the distraction of Mr. Lee's stylistic exhibitionism, without which, I concede, he might not be regarded as a genius in some quarters.
Lee's attack on how big business is not only ruining the game he loves but also playing with people's lives is direct and brave, while his passion, insight and intelligence are evident and admirable.
Most scenes play too long, with a surplus of ideas, textures, tones and characters, and after 134 minutes it's clear Lee's problem with closure hasn't gone away.
Lacking the moral indignation and militant politics of Lee's former work, this vibrantly colorful father-son melodrama is soft at the center, but it's one of the most accessible films Lee has made and Denzel Washington is terrific.
March 25, 2008
Slate
[Lee] gets a charming performance from Allen, who, in his acting debut, occupies his pedestal with grace and diffidence.
March 25, 2007
Chicago Reader
As usual, Lee tries many kinds of stylistic effects and uses wall-to-wall music (by Aaron Copland and Public Enemy); what's different this time is how personally driven the story feels.