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Demi Moore are desperate because of the death of her 5-year-old son at her country home. A year later, after many efforts to go through fire and water, she decides to live in small village to have better life. She does not know that she continues to undergo terrible days in there.
There's a pleasingly Hitchcockian feel to this entertainingly old-fashioned thriller and writer-director Craig Rosenberg pulls off several impressive twists so that you're never quite sure just where the story's going.
Plenty of stringy wind-swept hair and shapeless woolly jumpers abound, and at least there's picturesque scenery for a slow afternoon's viewing.
November 07, 2012
if you strip away all the references to other films, and all the play on genres, what remains is a film without its own soul, as insubstantial, and as difficult to credit, as a spectre half-glimpsed through the Scottish mist.
Demi Moore is used to the odd supernatural love story (Ghost, 1990) and she works hard at Rachel, but the screenplay just isn't up to the genre. It's not super, it's not that natural and it's not very thrilling ... the end result is not even half right.