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Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.
On behalf of the minority of film-goers who will, however even they may be shocked by [Erich von Stroheim's] fierce realism, perceive that he has made here a masterpiece in quite a new manner, one feels inclined to thank him.
Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.
January 01, 2000
ColeSmithey.com
Even in its severely edited form Von Stroheim's masterpiece is just that; a masterpiece.
December 12, 2006
Electric Sheep
A fascinating, exhilarating, immensely satisfying experience.
[Stroheim's] obsession with realistic detail reached its zenith during the final sequences in Death Valley, where the actors suffered hugely for the director's art.
Mr. von Stroheim has not missed a vulgar point, but on the other hand his direction of the effort is cunningly dramatic.
March 25, 2006
Time Out
Even now its relentlessly cynical portrait of physical and moral squalor retains the ability to shock, while the Von's obsessive attention to realist detail is never prosaic.