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Here we have an exciting story where a personal bodyguard named David is on a dangerous mission to follow a supernatural man. The story opens with security guard David Dunn using his supernatural abilities to track Kevin and Wendell Chrome, which seems to be a very powerful task for David. The crux of the job is that Kevin is an annoying man with 24 characters, which is quite extraordinary.
There are a few thoughtfully placed cameras and thrilling moments - Bruce Willis vs. a door, for one - but they're not nearly enough to make this self-conscious live-action comic book worthwhile.
Glass offers something we never see in contemporary tentpole comic-book movies: a stylized, color-coded, largely visual world, a reality of angles and camera moves.
While some may find Shyamalan's aesthetic and tonal choices to be too heavy-handed, others will appreciate Glass as the clever, campy work of a die-hard cinephile - maybe even a kindred spirit.
Why was Shyamalan, who has directed at least four objective failures over the course of his career, allowed yet another chance to prove what a disappointment he can be?
Hollywood and its superhero franchises are all but coextensive, and Shyamalan's confrontation with the ubiquity, popularity, and dominance of superheroes gives "Glass" a second-level urgency.
You have to admire Shyamalan's efforts to deconstruct a genre that he evidently loves, yet there is just so little to haunt or to fool us in the result, and a few sharp laughs might have helped his cause.