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After their mother escapes from Sydney to Margaret River in the 1970’s, the two Kelly brothers spend their youth searching for the perfect wave. Out of necessity the family launches a backyard surf business †reâ€thinking board design, crafting homemade wetsuits and selling merchandise out of their van. Battling big waves, small town conservatism and criminals, the brothers give rise to a global brand. A story of passion, corruption, friendship and loyalty, deadly addictions and fractured relationships, Drift tells a tale of courage and the will to survive at all odds.
This poor-surfers-make-good drama from Morgan O'Neill and Ben Nott relies more than it should on toned thighs and taut gluteals. Be grateful; there's nothing to see on dry land that's anywhere near as compelling.
August 02, 2013
The Canberra Times (Australia)
The surfing scenes are exhilarating, the waves more terrifying than anything Eli Roth or James Wan could come up with.
Writer and co-director Morgan O'Neill based Drift on true surfer stories from the era; however, the movie mostly comes across as a grab bag of tired tropes.
As has always been the case, well choreographed surf sequences are a delight to behold on the big screen, but also having always been the case, cliché and messy drama is not.
The obstacles that the Kelly brothers encounter are as uninspired as the film's treacly lessons about brotherhood and staying true to one's principles.
The leads are engaging, and Pollard in particular projects an easygoing, friendly machismo. Where the movie routinely disappoints, though, is in pursuit of a perfect storm of conflict story lines ...
I'm a sucker for films with great surfing footage, let alone wacky '70s hairstyles. But this overlong, cliché-infested Aussie period drama tested my patience.
Has genial moments, but they're lost in a sea of boilerplate incidents and prefab characters. Surfing sequences are easily as striking as what we see in documentaries about the sport.