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The film depicts the devastating legacy of a liaison between a concentration camp inmate and a Nazi doctor reflects on the lives of her sons whom the doctor experimented on.
Even as the frustrated audience can already see the truths, secrets, and manipulations congeal around the characters, they seem impotent to stop being victims.
A strangely indulgent and highly personal film seemingly crafted less as a piece of entertainment than a work of expression from an increasingly conflicted artist.
The failure of the movie is hardly attributable to Lucas, or co-stars Jacqueline Bisset and Lukas Haas. I'm afraid the blame rests squarely on the shoulders of writer-director Boaz Yakin.