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Dead Man is the story of a young man's journey, both physically and spiritually, into very unfamiliar terrain. On the run after murdering a man, accountant William Blake encounters a strange North American man named Nobody who prepares him for his journey into the spiritual world.
Depp and Jarmusch combine for something fairly bizarre, yet quietly rewarding.
April 03, 2005
Commercial Appeal (Memphis, TN)
It seems to be Blake's name as much as anything that propels the character deep into a strange frontier where Blakean ideals of innocence and integrity have been obliterated by ignorance and cruelty.
Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores
Minimalism defines this revisionist and challenging noir- Western, a welcome artistic departure from Jarmusch's increasingly tired and tiresome Downtown New York sensibility.
Jarmusch's lyrical update on the western genre is a real joy.
October 27, 2006
USA Today
Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby MÃuller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies.
January 01, 2000
Eye for Film
a low-key classic of strangely poetic beauty - a western for sleepwalkers and dreamers.