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Colette

GENERAL
ACTORS
CHARACTERS
CREATORS
CRITICS
GALLERY

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French novelist, Colette, overcomes an abusive marriage to emerge as a leading writer in her country and a candidate for the Nobel Prize in Literature.

Genre:

Drama, Biography, History

Actors:

Keira Knightley, Dominic West, Eleanor Tomlinson, Fiona Shaw, Denise Gough, Aiysha Hart, Rebecca Root, Al Weaver, Caroline Boulton, Robert Pugh, Dickie Beau, ...»

Director:

Wash Westmoreland

Country:

United Kingdom, United States, Hungary

Release:

2018

IMDb:

6.7

Quality:

Duration:

111 min

KEYWORDS:

#Colette (2018) #Dominic West #Eleanor Tomlinson #Fiona Shaw #Keira Knightley #Wash Westmoreland

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ACTORS OF "Colette"

Keira Knightley

26 March 1985, Teddington, Middlesex, England, UK

Dominic West

15 October 1969, Sheffield, Yorkshire, England, UK

Eleanor Tomlinson

19 May 1992, England, UK

Fiona Shaw

10 July 1958, County Cork, Ireland

Denise Gough

Aiysha Hart

Rebecca Root

10 May 1969, Woking, Surrey, England, UK

Al Weaver

1981, Bolton, Lancashire, England, UK

Caroline Boulton

Robert Pugh

1950, Aberdare, Glamorgan, Wales, UK

Dickie Beau

Ray Panthaki

20 January 1979, London, England, UK

Shannon Tarbet

Attila Árpa

17 November 1971, Munich, West Germany

Arabella Weir

6 December 1957, San Francisco, California, USA

May 30, 1984 in Budapest, Hungary

Izzy Bayley-King

Katinka Egres

5 January 1984, Kaposvár, Hungary

7 August 1958, Ware, Hertfordshire, England, UK

CREATORS OF "Colette"

Wash Westmoreland

4 March 1966, Leeds, England, UK

Richard Glatzer

28 January 1952, Flushing, Queens, New York City, New York, USA

HEROES OF "Colette"

Colette

Played by: Keira Knightley

Willy

Played by: Dominic West

Georgie Raoul-Duval

Played by: Eleanor Tomlinson

Sido

Played by: Fiona Shaw

Missy

Played by: Denise Gough

Polaire

Played by: Aiysha Hart

Jules

Played by: Robert Pugh

Wague

Played by: Dickie Beau

CRITICS OF "Colette"

La Nación (Costa Rica)

Colette becomes an intelligent discourse on how - in a patriarchal society - the genius of talented women is not easily recognized, but, on the contrary, tends to be invisible. [Full review in Spanish]

November 21, 2018

Resource

ReelViews

This isn't Oscar-worthy material but it's the kind of solid art house motion picture that was popular during the 1990s and whose occasional reappearance in the 2010s is always welcome.

October 07, 2018

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FILMINK (Australia)

... a delightful and finely-crafted piece of cinema.

November 30, 2018

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New York Post

Westmoreland's Paris is scrumptiously decadent - and seedy - as Colette navigates the city's eclectic, gossipy social scene.

September 28, 2018

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Comicsverse

COLETTE is the rare film that overcomes a personal malaise [for historical biopics]. Skillful cinematography, excellent performances, and a willingness not to sanitize things are all to the good in this effort.

November 27, 2018

Resource

Caution Spoilers

Knightley excels -- Colette's growing confidence is entirely believable, precisely because she's never a complete walkover, even at the beginning. Her blossoming as an independent woman and as a writer feels like a natural progression.

November 30, 2018

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El Pais (Spain)

The figure of Sidonie Gabrielle-Colette provides enough dramatic components so that the director can execute his operation without too much of a struggle. [Full Review in Spanish]

November 15, 2018

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El Mundo (Spain)

The director builds a fun universe, unprejudiced and so far from this world that it even seems lie. [Full Review in Spanish]

November 19, 2018

Resource

Chicago Sun-Times

Here's a movie with Keira Knightley that really does merit the sequel treatment.

September 28, 2018

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Chicago Tribune

There's more going on in Colette than tame hagiography; the results are happily vibrant, even if the sexual inequities depicted remain grimly pertinent.

October 12, 2018

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San Diego Reader

Cinematographer Giles Nuttgens' use of highly-reflective surfaces is a revelation, and Thomas Adès' lush score hits a melodramatic high note.

October 05, 2018

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Detroit News

Westmoreland keeps the material from becoming melodramatic or overwrought, although he often relies on the overactive score to ratchet up the dramatic tension from which he tends to shy away.

October 04, 2018

Resource

GALLERY OF "Colette"