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Many will have wondered what happened to the veteran Cuban musicians profiled in Wim Wenders's 1998 cult classic, Buena Vista Social Club, and Lucy Walker provides some of the answers in this genial if fitful documentary sequel.
Adios is less engaging than Walker's earlier work, with little of the poeticism she displayed in Waste Land and The Crash Reel. It surely doesn't help that she's stuck picking through Wenders' leftovers ...