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During the time of the bubonic plague in 14th-century England, young monk Osmund is given the task of learning the truth about reports of people being brought back to life in a small village.
In Black Death, Christopher Smith effectively creates a creepy and unsettling atmosphere with great production values. He shows lots of potential as a director and I'm looking forward to seeing what he does next.
It shows the worst things that people do to each other in the name of religion. This could have been more of a thought-provoking film, but it turns into a gore porn display.
An entertaining, if by-the-numbers, entry to the sword-and-shield genre, Black Death features lots of blood, disease, and the seemingly requisite Sean Bean.
Early on "Black Death" falls victim to its own sluggish sickness, its narrative drive proving no match for the aggressively rotted pallor, dour acting and tiresomely handheld you-are-there aesthetics.
"Going medieval" on your enemies isn't just a figure of speech in Christopher Smith's stylish spatter-horror exercise, which uses desperation-fueled religious fervor to interrogate the intersection of fear and faith.
Slams Christians against pagans with little love for either.
March 11, 2011
New York Post
Though deadly serious, Christopher Smith's European-made bubonic- plague melodrama provides good value with lots of blood and guts, as well as a solid cast.