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Set in the strange and oppressive emotional landscape of the year 1983, the movie follows a heavily sedated woman with ESP as she tries to escape from the secluded commune where she's been held captive.
Audiences who appreciate oddball first efforts from talents such as Lynch (Eraserhead), Cronenberg (Shivers) and Jeunet (Delicatessen) will be thankful.
The movie looks like it was lit by lava lamps, scored on Moog synthesizers, written between bong hits and acted underwater. None of this is meant as praise.
A film for people who might call Stalker their favorite movie of all time if only it were more opaque. So, you know, a little audience, but a passionate one.
The rich and strange debut of Panos Cosmatos throbs with style and portent, which proves a winning combination even if it is somewhat light in the narrative department.
Close-ups of a needle penetrating gnarled toes and a mutant slathered in what I choose to believe is bittersweet chocolate make as much sense as the scary drawings of angry vulvas hiding in a drawer.
May 18, 2012
MSN Movies
There's much to admire about Panos Cosmatos' directorial debut, but the end result is admittedly not for all tastes.
"Beyond the Black Rainbow" has a doomy, dreamy, druggy, draggy feel that's impressively sustained - until it becomes oppressive, then pointless, then laughable.