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Following Jon Kortina, a youthful whose destiny places him in the way for a bizarre mortician called Harvey Lewis. Jon was scanning for an occupation and Harvey offers him a work in his funeral home. By sitting back together, they progress toward becoming companions and begin another business together offering brilliant things that they gather from the dead's teeth.
Los Angles lore is referenced but never pursued, and director Justin MacGregor leans into the piecemeal ludicrousness with stylised sequences that embrace self-deprecating mockery.
The cinematography is half-way decent, the performances that aren't Wiseau's are enjoyable in the traditional sense, and the film moves at a steady clip, with no issues in continuity or plot.
Tone deaf at almost every turn, Best F(r)iends won't have the same legs as The Room but could offer a night of fun with some of your closest f(r)iends. It's terrible.
To really enjoy this picture, one must require severe acclimatisation to the 'so bad it's good' style of filmmaking, the only discernible way to get the most out of Justin MacGregor's tame debut.
While it doesn't top the eccentricity of Wiseau's cult favorite, Best F(r)iends is written by a man who understands, probably more than anybody, the appeal behind The Room's creator.