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Roxane Coss is a popular vocalist in the Opera. She is welcome to perform in a party for an acclaimed Japanese writer, Katsumi Hosokawa. By landing there, all who are in the party are hijacked and token as hostages by a risky posse to set their companions out of the prison. The astonishment happen when they presented to a calamity influences them to participate together.
Oddly assembled and never quite convincing either as a human interest drama, a love story, or a thriller, Bel Canto tries to be a lamentation when it might have been better served to scream.
What makes every iteration of Bel Canto such a richly rewarding journey is the gradual evolution of its characters, who begin to form a makeshift family as the outside world grows more distant with every passing hour.
The film empathetically shows its characters' humanity and the unlikely relationships that develop between captor and captive, as political, linguistic and socioeconomic barriers break down amid their close quarters and shared awe for the music.
Moore, like an upmarket version of Lina Lamont, in "Singin' in the Rain," lip-synchs convincingly to the sound of Renée Fleming. But not quite convincingly enough.