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Henry is a loner and a night owl. His rare skin disease has kept him under the close watch of his fiery mother, who has sheltered him his entire life. One night, a young woman's car breaks down and Henry's life will change forever.
Anthea Anka's earnest script manages to paint Henry as a kindly, poetic fellow, but with enough quiet self-possession to avoid sinking him in pathos. It's a tricky balancing act, beautifully matched by Skarsgård's depiction.
Even when the movie skirts perilously close to banality, Skarsgard and Van der Boom develop a winning chemistry to hold our interest as their characters slowly (and in Alison's case, very reluctantly) warm to each other.