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Manages to develop its own distinct flavor while fitting snugly into the general tradition of latter-day U.K. gangster pics, with their rueful humor, colorful characters and realistically nasty violence.
As a whole, first-time feature filmmaker Baugh has a lot to be proud of with Bad Day for the Cut, and aspects of his story hit me in ways I didn't see coming.
There is a strong suggestion that cycles of vengeance merely go around and around, an observation of particular poignancy for a country with a recent history so mired in conflict and one that in making Bad Day for the Cut is at its most insightful.
A taut vengeance thriller that doesn't completely come together as one would hope but has enough solid entertainment value, well-directed visuals, and nasty twists and turns to justify a look.
Baugh and his co-writer Brendan Mullin have a good feel for how they can push the absurdity of the situation without turning the whole thing into farce.