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As they await the birth of their baby, a couple (John Krasinski, Maya Rudolph) travel across America in search of the perfect place to raise their family. Along the way, they learn 'home' on their own terms for the first time. thanks to plenty of misadventures and fresh connections.
"Away We Go" shared the similarly episodic flutter of familial comedy with "Flirting with Disaster," but evolved to something more than a screwball finish. Ultimately, home represents only all that we can control of the sadness that surrounds us.
Terrific performances make this tender if slight little film worth the trip.
June 26, 2009
Deadspin
This movie lives in a bubbleland of its main two characters' heads, who shamble along to and fro, never really engaging the planet or stepping outside themselves in any noteworthy way.
While the rest of us have been sitting around contentedly with 3-D glasses on our faces, Sam Mendes has been quietly redefining the American family drama.
Delicado, inteligente e sensível como o casal principal, este talvez seja o mais coeso dos trabalhos de Mendes ao substituir seu cinismo e pessimismo habituais por uma visão doce e otimista da natureza humana.
July 19, 2010
The New Republic
You may very well enjoy Away We Go more than I did. But rest assured that you will never love this movie as much as it loves itself.
That every supporting character is depicted as insufferable or pitiable or both would be bad enough; what's worse is that the couple discover nothing about themselves that wasn't obvious from the opening.