Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
The events occur amid the 2009 housing crisis, this film describes a drama anecdote about a lady called Cassie Fowler, a single parent filling in as a real estate broker. Notwithstanding her battles against this emergency of lodging, she enters a genuine inconvenience when she sees a murder, her life is going to flip around.
Severely wasting the talents of Rosemary DeWitt, who really, really deserves better material, Arizona is as arid and barren as the state that provides its title.
The pressure was on first time director Watson to let McBride loose. It's a shame. I'm not suggesting that he couldn't carry a picture, but here McBride is terribly one-note-a lunatic with zero redeeming qualities to shape him.
"Arizona" doesn't benefit from passes at intensity, doing just fine as a character study of unhinged types drowning in financial ruin while stuck in the middle of a town that was meant to represent paradise.
This 85-minute, "Ten Little Indian"-style comedy-horror mash-up is basically a cameo-studded muddle that may have looked good on paper, but movie screens aren't made of paper.
Danny McBride is at his funniest and scariest in "Arizona," a darkly comic film noir that works well as both a violent thriller and as a ruthless satire of over-extended American dreamers.
Bad things happen, punchlines land hard enough to pop your eyes and Judeo-Christian principles are torn away like bark being ripped off old trees. It's a lot of fun.