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Set in a totalitarian society in a near future where America has lost the war on drugs, an undercover cop, Fred, is one of many agents hooked on the popular drug Substance D, which causes its users to develop split personalities. Fred, for instance, is also Bob, a notorious drug dealer. Along with his superior officers, Fred sets up an elaborate scheme to catch Bob and tear down his operation.
...not for everyone. It's a complicated film that requires patience and, most likely, subsequent viewings to appreciate the jigsaw view of control and paranoia.
It is exhausting in its yammering, yes, but the very fact of its putting forth a vision of a future that's scented with bongwater, revolving around the axis of a sloppy living room, is enough to recommend it.
A Scanner Darkly is the most faithful Dick adaptation to date. Like Dick's writing, Richard Linklater's movie doesn't sweat at immersing itself in the trappings of sci-fi; it's concerned with ideas.
November 07, 2012
7M Pictures
I got bored with the random diversions into the long-winded conversations of the drug culture.
Trippy rotoscoping is the perfect aqueous aesthetic. Unlike many Philip K. Dick adapters exchanging existentialism for explosions, Richard Linklater focuses on Dick's apprehensions about the trust, joy and freedoms at risk for the sake of progress.
In the end, it offers only the slightest of answers and the slimmest of hopes, because that is often all life offers as well. Whether anyone grasps that hope it leaves open for the audience to determine.
Linklater's willingness to experiment ... is laudable. But I'm not sure he's reinventing animation here, or even adequately serving that older-than-children animation audience.
July 14, 2006
NPR.org
The coolest thing about the movie version of A Scanner Darkly is how very literally it takes the scanner part of that title.