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This movie revolves around the life inside the opera, where Otis B. Driftwood, does his best in order to help Recardo, a talented singer, who just needs a chance to become a famous one, and who falls in love with the beautiful Rosa, but a greedy man, Lassparri, does his best in order to win her heart.
[The Marx Brothers] still let the air out of stuffed shirts and barbecue a few sacred cows, but something got lost in all that MGMness when the screen's ultimate anti-authoritarian team starting working the Andy Hardy side of the street.
It is exciting and perfect; a sign that they have at last learned how to use every resource which Hollywood can offer them; and the simplest reason I can find for calling them funny beyond the power of words to spoil the fun.
Fondly remembered for such classic comedy bits as Groucho and Chico drafting a contract, the stateroom scene, and the hilarious climax where the brothers make a shambles of Il Trovatore. Sans Duck Soup, we'll watch this any day.
Embora empalideça diante de Diabo a Quatro, melhor filme dos irmãos, traz algumas das cenas mais memoráveis da trupe, dos jogos de palavras às gags físicas.
The backstage finish, with Harpo doing a Tarzan on the fly ropes, contains more action than the Marxes usually go in for, but it relieves the strictly verbal comedy and provides a sock exit.