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A fast-talking, charming Navy defense attorney must prove that a pair of Marines are innocent of murdering a fellow fighter. The lawyer's biggest obstacle is a conniving base commander who wants the whole affair swept under the carpet.
As a courtroom drama, it manages to overcome its shortcomings -- some fairly ridiculous dialogue, implausible situations and predictable plot points -- with the pure screen power of its stars.
A brisk and familiar courtroom drama of the old school, as pleasant to watch as it is predictable, Men more than anything else is a tribute to pure star power.
As you may have suspected, Jack Nicholson steals the show. His Col. Nathan Jessep isn't in a lot of scenes, but when he's there, you can't take your eyes off him.
It's a very watchable picture, with plenty of drama and some good laughs. But you can't forget for a moment that Reiner is taking your emotions on a carefully guided tour.
More than competent are Moore, spared from what would have been a phony romantic involvement with Cruise, Kevin Bacon as a prosecutor and Kiefer Sutherland as a by-the-book Marine.
By pitting Cruise against Nicholson in the film`s final courtroom confrontation, Sorkin and Reiner are pitting two notions of masculinity and two notions of stardom against each other.
The whole film, with its steady, important-picture pacing, its foursquare visual style, and its pseudo-profundity, is a piece of glorified banality.
April 30, 2014
Philadelphia Inquirer
The literally in-your-face camera work can easily expose an actor's weaknesses, but, with the lens framed on Nicholson's bulldog visage, he lets loose with volcanic fury. His demagoguery and gung-ho self-righteousness are something to behold.